Once got lost in Chợ Lớn and had to ask a child for directions. He was so embarrassed he bought the entire fruit stall.
He arrived for the war and stayed for the maps. In a grand hotel with the dusk coming through the windows, he traces borders that no longer exist and drinks Pernod that tastes like Marseille and regret. He would never tell you he eats phở at a stall on Lê Lợi, but the broth knows.
These pages are not a dossier. They are the small, stubborn things that made the man - the linen he irons against the humidity, the Debussy on a gramophone, the daughter in France he does not name. The rest is in the frame.
Tastes & Preferences
The small things he would not compromise.
Funny Experiences
The graces he gave when no one was recording.
Accused a waiter of watering down his Pernod. The waiter had never heard of Pernod.
Delacroix left a note of apology - and a generous tip.
A monkey stole his sunglasses at a roadside shrine. He chased it for an hour.
The monkey won.
Dislikes
The things he will not make peace with.
- Humidity. It ruins his linen suits and his mood.
- Being corrected in public. He will accept it privately, but never in front of others.
- The new world. “Everything is faster now. Including betrayal.”
- Eating alone. It reminds him of his daughter in France.
Souvenirs
Three frames, captured by someone else.
Not his own lens - each is a life souvenir, caught by another pair of eyes. None of them made the cut. All of them are true.
Henri Delacroix is one of the souls in The Sea Pagoda Shadow - thirteen minutes, one stolen frame, and the truth it holds.
Back to the film →